Design conceptA rounded head is the starting silhouette. Define the application, profile and proportions you want to review in a physical sample.
Concept imagery. Final materials and dimensions are developed for your project.
Face brush / The silver study
A refined starting point.
A brush with your point of view.
A rounded head and a slender silver silhouette. Develop the shape, feel and finishing details around your beauty brand.
Make this brush yours Follow the development journeyA rounded head is the starting silhouette. Define the application, profile and proportions you want to review in a physical sample.
Beauty, in the smallest decisions
The outline makes a first impression. Bristle choice, density and balance bring the experience into focus through sampling.
Explore the concept in 3DA closer specification
Use the silver study as a visual starting point. The right specification begins with your application, brand and project requirements.
Explore all customisation optionsDevelop the width, outline, density and feel around the intended application.
Share your material preferences and the formula you want the brush to work with.
Confirm component materials, dimensions, surface treatment and assembly details.
Bring a colour reference and logo artwork; position, scale and application method are agreed together.
Develop the brush combination with a case, pouch or box as part of the brief.
Some products start at 500, others at 1,000. Pieces for individual brushes; sets for collections. This concept has no assigned minimum.
A development walkthrough
Follow a silver brush concept through five development conversations. An illustration of how a project can take shape.
Step 01 / 05
Imagine a beauty brand looking for a rounded face brush with a slender silver silhouette. The first conversation defines what it should do, how it should feel and how it should fit the brand.
The application, reference shape, visual direction and single-brush or collection format.
Step 02 / 05
Work through the head profile, ferrule and handle as one object. Front and side studies help make the proportions clear before the materials and sampling details are agreed.
The proportions and components that need to be resolved for sampling.
Step 03 / 05
A rendering cannot tell you how a brush feels. Paid sampling is where the chosen direction can be assessed as a physical product. The sample fee, scope and timing are agreed for the project.
What the sample should demonstrate and which details are still open.
Step 04 / 05
Review the physical sample against the brief. Identify what you want to keep, what needs changing and whether another sample is needed. Record the agreed details before the order moves forward.
The changes, any further sampling and the specification to confirm.
Step 05 / 05
Keep it as one signature brush, or develop a family of face and eye brushes. Bring the brush mix, shared finish, logo and packaging into the same conversation.
The final mix, order unit, applicable minimum, presentation and delivery conditions.
Illustrative development journey. Images are design concepts; materials, sampling and order conditions are agreed for each project.
Make it a starting point
Choose the details you want to explore. Your selections become a brief for the conversation, with the specification and paid sample still to be agreed.
Before we begin
Yes. An idea, drawing, reference sample, or preferred brush shapes and set can all begin a project. Tell us what you want to retain and what you want to change.
Sampling is paid. The fee, scope and timing depend on the project and are confirmed after reviewing your requirements. Include your intended launch or delivery date in your brief.
No minimum has been assigned to this concept. Some products start at 500 and others at 1,000. Single brushes are counted in pieces; collections in sets. We confirm the applicable minimum for your selected product.
Yes. Include your brush mix, logo artwork and preferred case, pouch or box in the same brief. The structure, dimensions and materials are confirmed for the project.
